The Irish Times Best Films 2023

Лучшие ленты года по версии издания The Irish Times:

Top-10:
1. May December, by Tood Haynes
2. Priscilla, by Sofia Coppola
3. Passages, by Ira Sachs
4. Saint Omer, by Alice Diop
5. Past Lives, by Celine Song
6. Close, by Lukas Dhont
7. The Beasts, by Rodrigo Sorogoyen
8. Holy Spider, by Ali Abbasi
9. Anatomy of a Fall, by Justine Triet
10. TAR, by Todd Field

11-20:
11. Are You There, God? It’s Me, Margaret, by Kelly Fremon Craig
12. Fallen Leaves, by Aki Kaurismäki
13. RMN, by Cristian Mungiu
14. Beau Is Afraid, by Ari Aster
15. De Humani Corporis Fabrica, by Lucien Castaing-Taylor and Véréna Paravel
16. The Damned Don’t Cry, by Fyzal Boulifa
17. Bottoms, by Emma Seligman
18. Rye Lane, by Raine Allen-Miller
19. The Five Devils, by Léa Mysius
20. Barbie, by Greta Gerwig

21-30:
21. How to Have Sex, by Molly Manning Walker
22. Master Gardener, by Paul Schrader
23. The Eight Mountains, by Felix van Groeningen and Charlotte Vandermeersch
24. Enys Men, by Mark Jenkin
25. Eileen, by William Oldroyd
26. EO, by Jerzy Skolimowski
27. Godland, by Hlynur Pálmason
28. Oppenheimer, by Christopher Nolan
29. Killers of the Flower Moon, by Martin Scorsese
30. Joyland, by Saim Sadiq

31-40:
31. Stolen, by Margo Harkin
32. The Killer, by David Fincher
33. Reality, by Tina Satter
34. Infinity Pool, by Brandon Cronenberg
35. The Deepest Breath,by Laura McGann
36. Dream Scenario, by Kristoffer Borgli
37. Sick of Myself, by Kristoffer Borgli
38. Mission: Impossible – Dead Reckoning Part 1, by Christopher McQuarrie
39. The Eternal Daughter, by Joanna Hogg
40. Smoking Causes Coughing, by Quentin Dupieux

41-50:
41. Afire, by Christian Petzold
42. Marcel the Shell with Shoes On, by Dean Fleischer Camp
43. Amanda, by Carolina Cavalli
44. Spider-Man: Across the Spider-Verse, by Joaquim Dos Santos, Kemp Powers and Justin K Thompson
45. Return to Seoul, by Davy Chou
46. Rodeo, by Lola Quivoron
47. Women Talking, by Sarah Polley
48. My Sailor My Love, by Klaus Härö
49. Kokomo City, by D Smith
50. Blue Jean, by Georgia Oakley

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