100 лучших фильмов в истории по версии издания Slant Magazine (2003):

Top-100:
• Les Vampires (Louis Feuillade, 1915)
• Broken Blossoms (D.W. Griffith, 1919)
• Foolish Wives (Erich Von Stroheim, 1922)
• Faust (F.W. Murnau, 1926)
• Hindle Wakes (Maurice Elvey, 1927)
• The Cameraman (Edward Sedgwick, 1928)
• The Crowd (King Vidor, 1928)
• The Fall of the House of Usher (Jean Epstein, 1928)
• Spies (Fritz Lang, 1928)
• Earth (Aleksandr Dovzhenko, 1930)

• An American Tragedy (Josef Von Sternberg, 1931)
• ¡Que Viva México! (Sergei Eisenstein, 1931)
• Freaks (Tod Browning, 1932)
• Love Me Tonight (Rouben Mamoulian, 1932)
• The Black Cat (Edgar G. Ulmer, 1934)
• The Crime of Monseiur Lange (Jean Renoir, 1936)
• Gueule D’Amour (Jean Grémillon, 1937)
• Make Way for Tomorrow (Leo McCarey, 1937)
• Stage Door (Gregory La Cava, 1937)
• Only Angels Have Wings (Howard Hawks, 1939)

• The Mortal Storm (Frank Borzage, 1940)
• To Be or Not to Be (Ernst Lubitsch, 1942)
• The Leopard Man (Jacques Tourneur, 1943)
• Monsieur Verdoux (Charlie Chaplin, 1947)
• Portrait of Jennie (William Dieterle, 1948)
• The Flowers of St. Francis (Roberto Rossellini, 1950)
• In a Lonely Place (Nicholas Ray, 1950)
• Ace in the Hole (Billy Wilder, 1951)
• The Life of Oharu (Kenji Mizoguchi, 1952)
• Le Plaisir (Max Ophüls, 1952)

• I Confess (Alfred Hitchcock, 1952)
• Ensayo de Un Crimen (Luis Buñuel, 1955)
• Autumn Leaves (Robert Aldrich, 1956)
• Will Success Spoil Rock Hunter? (Frank Tashlin, 1957)
• Bonjour Tristesse (Otto Preminger, 1958)
• Imitation of Life (Douglas Sirk, 1959)
• The Ladies’ Man (Jerry Lewis, 1961)
• Cléo from 5 to 7 (Agnès Varda, 1962)
• Confessions of an Opium Eater (Albert Zugsmith, 1962)
• Winter Light (Ingmar Bergman, 1963)

• Charulata (Satyajit Ray, 1964)
• Gertrud (Carl Theodor Dreyer, 1964)
• Yearning (Mikio Naruse, 1964)
• 7 Women (John Ford, 1966)
• Kill, Baby, Kill! (Mario Bava, 1966)
• Masculin Feminin (Jean-Luc Godard, 1966)
• Point Blank (John Boorman, 1967)
• The Shooting (Monte Hellman, 1967)
• Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)
• Once Upon a Time in the West (Sergio Leone, 1968)

• Hi Mom! (Brian De Palma, 1970)
• The Lickerish Quartet (Radley Metzger, 1970)
• Trash (Paul Morrissey, 1970)
• McCabe & Mrs. Miller (Robert Altman, 1971)
• A New Leaf (Elaine May, 1971)
• Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974)
• Celine and Julie Go Boating (Jacques Rivette, 1974)
• Lancelot du Lac (Robert Bresson, 1974)
• The Texas Chainsaw Massacre (Tobe Hooper, 1974)
• Jeanne Dielman (Chantal Akerman, 1975)

• The Passenger (Michelangelo Antonioni, 1975)
• Xala (Ousmane Sembène, 1975)
• Assault on Precinct 13 (John Carpenter, 1976)
• F for Fake (Orson Welles, 1976)
• The Tenant (Roman Polanski, 1976)
• Killer of Sheep (Charles Burnett, 1977)
• In a Year of 13 Moons (Rainer Werner Fassbinder, 1978)
• Stalker (Andrei Tarkovsky, 1979)
• The Big Red One (Samuel Fuller, 1980)
• Possession (Andrzej Zulawski, 1981)

• Fitzcarraldo (Werner Herzog, 1982)
• Tenebre (Dario Argento, 1982)
• The Ballad of Narayama (Shôhei Imamura, 1983)
• The Day of the Dead (George A. Romero, 1985)
• Empire of the Sun (Steven Spielberg, 1987)
• Yeelen (Souleymane Cissé, 1987)
• Distant Lives, Still Voices (Terence Davies, 1988)
• The Last Temptation of Christ (Martin Scorsese, 1988)
• A Short Film About Killing (Krzysztof Kieślowski, 1988)
• Close-Up (Abbas Kiarostami, 1990)
• A Brighter Summer Day (Edward Yang, 1991)

• Hard Boiled (John Woo, 1992)
• Husbands and Wives (Woody Allen, 1992)
• Twin Peaks: Fire Walk with Me (David Lynch, 1992)
• The Puppetmaster (Hou Hsiao-hsien, 1993)
• Sátántangó (Béla Tarr, 1994)
• Dead Man (Jim Jarmusch, 1995)
• Showgirls (Paul Verhoeven, 1995)
• Underground (Emir Kusturica, 1995)
• Crash (David Cronenberg, 1996)

• Fireworks (Takeshi Kitano, 1997)
• Mother and Son (Aleksandr Sokurov, 1997)
• Beloved (Jonathan Demme, 1998)
• The Hole (Tsai Ming-liang, 1998)
• Velvet Goldmine (Todd Haynes, 1998)
• Beau Travail (Claire Denis, 1999)
• Platform (Jia Zhang-ke, 2000)
• Fat Girl (Catherine Breillat, 2001)
• Pulse (Kiyoshi Kurosawa, 2001)
• Twentynine Palms (Bruno Dumont, 2003)