Лучшие нуары всех времен по версии издания The Wonderful World of Cinema:

Top-10:
1. Kiss Me Deadly (Robert Aldrich, 1955)
2. Sunset Boulevard (Billy Wilder, 1950)
3. Strangers On a Train (Alfred Hitchcock, 1951)
4. Rebecca (Alfred Hitchcock, 1940)
5. Shadow of a Doubt (Alfred Hitchcock, 1943)
6. They Drive by Night (Raoul Walsh, 1940)
7. The Naked City (Jules Dassin, 1948)
8. White Heat (Raoul Walsh, 1949)
9. The Blue Gardenia (Fritz Lang, 1953)
10. Spellbound (Alfred Hitchcock, 1945)

11-20:
11. 14 Hours (Henry Hathaway, 1951)
12. The Night of the Hunter (Charles Laughton, 1955)
13. Ministry of Fear (Fritz Lang, 1944)
14. Call Northside 777 (Henry Hathaway, 1948)
15. Brute Force (Jules Dassin, 1947)
16. Leave Her to Heaven (John M. Stahl, 1945)
17. The Spiral Staircase (Robert Siodmak, 1946)
18. The Big Clock (John Farrow, 1948)
19. The Desperate Hours (William Wyler, 1955)
20. Sorry, Wrong Number (Anatole Litvak, 1948)

21-30:
21. Phantom Lady (Robert Siodmak, 1944)
22. Scarlet Street (Fritz Lang,1945)
23. The Killing (Stanley Kubrick, 1956)
24. Gaslight (George Cukor, 1944)
25. Ace in the Hole (Billy Wilder, 1951)
26. The Woman in the Window (Fritz Lang, 1944)
27. The Big Heat (Fritz Lang, 1953)
28. Mildred Pierce (Michael Curtiz, 1945)
29. Kiss of Death (Henry Hathaway, 1947)
30. Boomerang! (Elia Kazan, 1947)

31-40:
31. The Asphalt Jungle (John Huston, 1950)
32. The House on Telegraph Hill (Robert Wise, 1951)
33. The Blue Dahlia (George Marshall, 1946)
34. Detective Story (William Wyler, 1951)
35. Act of Violence (Fred Zinnemann, 1948)
36. On Dangerous Ground (Nicholas Ray, 1951)
37. Born to Kill (Robert Wise, 1947)
38. Beyond a Reasonable Doubt (Fritz Lang, 1956)
39. The Strange Loves of Martha Ivers (Lewis Milestone, 1946)
40. Gun Crazy (Joseph H. Lewis, 1950)

41-50:
41. The Dark Mirror (Robert Siodmak, 1946)
42. The Letter (William Wyler, 1940)
43. Champion (Mark Robson, 1949)
44. Vertigo (Alfred Hitchcock, 1958)
45. Kiss the Blood Off My Hands (Norman Foster, 1948)
46. Don’t Bother to Knock (Roy Ward Baker, 1952)
47. This Gun for Hire (Frank Tuttle, 1942)
48. Suspicion (Alfred Hitchcock, 1941)
49. Born to Be Bad (Nicholas Ray, 1950)
50. Backfire (Vincent Sherman, 1950)

51-60:
51. Niagara (Henry Hathaway, 1953)
52. Decoy (Jack Bernhard, 1946)
53. Dark Passage (Delmer Daves, 1947)
54. Suddenly (Lewis Allen, 1954)
55. Where the Sidewalk Ends (Otto Preminger, 1950)
56. The Wrong Man (Alfred Hitchcock, 1956)
57. Clash by Night (Fritz Lang, 1952)
58. Gilda (Charles Vidor, 1946)
59. Notorious (Alfred Hitchcock, 1946)
60. In a Lonely Place (Nicholas Ray, 1950)

61-70:
61. A Blueprint for Murder (Andrew L. Stone, 1953)
62. No Way Out (Joseph L. Mankiewicz, 1950)
63. The Lost Weekend (Billy Wilder, 1945)
64. Laura (Otto Preminger, 1944)
65. I Confess (Alfred Hitchcock, 1953)
66. Key Largo (John Huston, 1948)
67. Pickup on South Street (Samuel Fuller, 1953)
68. Somewhere in the Night (Joseph L. Mankiewicz, 1946)
69. Sweet Smell of Success (Alexander Mackendrick, 1957)
70. Secret Beyond the Door (Fritz Lang, 1948)

71-80:
71. Crashout (Lewis R. Foster, 1955)
72. The Locket (John Brahm, 1946)
73. The Big Sleep (Howard Hawks, 1946)
74. The Reckless Moment (Max Ophüls, 1949)
75. Les Diaboliques (Henri Georges-Clouzot, 1955)
76. Black Widow (Nunnally Johnson, 1954)
77. The Maltese Falcon (John Huston, 1941)
78. The Window (Ted Tetzlaff, 1949)
79. Caught (Max Ophüls, 1949)
80. The Stranger (Orson Welles, 1946)

81-90:
81. High Sierra (Raoul Wals, 1941)
82. The Big Combo ( Joseph H. Lewis, 1955)
83. Union Station (Rudolph Maté, 1950)
84. Odd Man Out (Carol Reed, 1947)
85. Crossfire ( Edward Dmytryk, 1947)
86. The Scar aka Hollow Triumph (Steve Sekely, 1948)
87. Kansas City Confidential (Phil Karlson, 1952)
88. Dishonored Lady (Robert Stevenson, 1947)
89. Angel Face (Otto Preminger, 1952)
90. Ascenseur pour l’échafaud (Louis Malle, 1958)

91-100:
91. Thieves’ Highway (Jules Dassin, 1949)
92. Too Late for Tears (Byron Haskin, 1949)
93. The Lady from Shanghai (Orson Wells, 1947)
94. The Third Man (Carol Reed, 1949)
95. All My Sons (Irving Reis, 1948)
96. Detour (Edgar George Ulmer, 1945)
97. The Bigamist (Ida Lupino, 1953)
98. La Forteresse (Fedor Ozep, 1947)
99. Rage in Heaven (W.S. Van Dyke, 1941)
100. Touch of Evil (Orson Welles, 1958)